Culture is not argued. It is told.
No one changes their mind about marriage, about money, about what a good life looks like, because a policy paper convinced them. They change because a song got into their head, a film moved them to tears, a novel gave them a hero to imitate before they knew they were imitating anyone. Long before a law passes, someone has already decided what looks noble and what looks laughable, and they did it with a camera, a guitar, or a pen. That is the arts and entertainment mountain, one of the seven spheres of cultural influence described in the Seven Mountains Mandate, and it is the mountain most churches quietly let go of.
Walk the other six mountains and you can point to what Christians built. Church buildings and denominations on the religion mountain. Christian schools and homeschool co-ops on education. Chambers of commerce and family businesses run on biblical principle on the mountain of business. Believers have shown up in courtrooms, statehouses, and newsrooms, even when the reception was cold. But ask a Christian to name the last major film, the last widely heard album, the last novel that shaped how the country thinks about God, family, or justice, made as an act of faith, and most will go quiet. Christians work in every one of those crafts. What the church never built is an institution that treats that work as seriously as it treats law, policy, and schooling.
The mountain does not sit empty. It gets filled.
This is the part that gets missed. A mountain a believer abandons does not stay vacant. Someone else always wants it, and they take it. The songs still get written. The shows still get made. The stories a culture tells its children about what is normal, what is brave, what is worth wanting, keep getting told every single day, with or without a Christian in the room. Abstaining from the arts mountain was never neutral. It was a transfer of the pen to whoever was willing to pick it up.
Fritz Steiger has spent a career building on the other mountains. He was a founding executive of the Wal-Mart Foundation, one of the largest corporate philanthropies in American history, working alongside Sam Walton. He co-founded the Texas Public Policy Foundation, whose ideas have become law in state after state, and it is now among the most-cited conservative policy institutes in the country. He co-founded Children First America, which put school choice on the national legislative agenda, and the Justice Foundation, a public interest law firm. That is business, government, and education, three mountains with real institutions standing on them because someone was willing to spend decades on the work. Arts and entertainment has no equivalent on that list, and that gap is the reason this mountain needs the same kind of builders the other six already found.